This post continues last week’s theme of simple, uncluttered portrait pictures. I wouldn’t normally post two pictures of the same person, but I just can’t decide which of these I prefer, wider in colour or closer in black and white. What do you think?
I take a lot of portrait photos, as you will have spotted if you’re a regular visitor. Often, I choose a wide, or wide-ish, perspective to give the portrait some context, as in my last picture of the week. This week, though, I really wanted to focus on people’s faces, so I’ve been stepping out with my much-neglected 85mm lens. I wanted to take some simple, uncluttered pictures, with faces as the focus of attention.
I see a lot of different kinds of reaction when I approach people to take their picture. Hilarity, bemusement, sometimes irritation, but never hostility. Some people become self-conscious, almost standing to attention in front of the camera or, worse, pulling their camera face, sometimes accompanied by the dreaded thumbs up or V sign. These don’t make good pictures, but even the most reluctant or over-enthusiastic subjects will often start to feel more comfortable once they’ve seen a couple of pictures of themselves on the camera screen.
My favourite response, though, is that of people who simply carry on with what they were doing: smiling, frowning, dreaming, scowling, working. I saw this gentleman on Friday afternoon. I liked the way his t-shirt matched the rust on the metal gate behind him, but most of all I was drawn to his posture and expression. He was sitting just as you see here, with his head in his hands, not unhappy, but as if he’d got to the end of a long week and couldn’t quite muster up any enthusiasm for the weekend. I know the feeling. He barely moved while I took a few pictures, but broke into a big grin when I showed him the result. I can’t speak for him, but it was the highlight of my Friday.
Earlier today, I went for a late afternoon / early evening stroll around my neighbourhood. I had some vague ideas of capturing some street scenes or a city sunset, but as usual it was the people on the street that I was most drawn to. This lady is selling lottery tickets.
I’ve just updated the homepage of this site, so that it now only shows pictures taken since I came back to south-east Asia, and started this blog, in October last year.
This post features the pictures that have been bumped off the homepage. I’m posting them here because I didn’t want them to disappear from the site altogether. They were all taken in Vietnam and Cambodia during 2010.
Old fellas
(Hanoi, January 2010; Hanoi, January 2010; Phnom Penh, February 2010)
KH CAT B TONG
These stencils, advertising the services of local handymen / labourers, can be seen on walls all over Hanoi and Saigon.
(Saigon, February 2010)
Long Bien fisherman
Grey April days in Hanoi are perfect for black and white photography.
(Long Bien bridge, Hanoi, April 2010)
Long Bien kids
(Long Bien bridge, Hanoi, April 2010)
Looking askance
Something about this shot of Flower Hmong women reminds me of an early 80s Abba video.
(Bac Ha, July 2010)
Women in red
The middle shot here is one of my favourites.
(Ta Van; Bac Ha; Ta Van, all July 2010)
Blue lady
(Sapa, July 2010)
Hmong market trader
(Sapa, July 2010)
(Le Mat, Hanoi, August 2010)
Hoi An boatman
It’s all about the blue.
(Hoi An, September 2010)
Hoi An farmer
(Hoi An, September 2010)
He loves Hanoi
Taken during the celebrations for Hanoi’s 1000 year anniversary.
(Hanoi, October 2010)
(Hanoi, October 2010)
Young fisherman
(Kampot, December 2010)
Phnom Penh ferry ride
(Phnom Penh, December 2010)
Three monks
(Phnom Penh, December 2010; Lolei, Angkor, February 2010; Kampot, December 2010)
Orange
(Phnom Penh, December 2010)
Wat Langka monks
(Phnom Penh, December 2010)
Sometimes, I go for a walk with my camera and nothing happens. Nothing inspires me, I’m not in the right mood, the light’s not right, it’s too hot, it’s too dark, I need a pee, it’s too bright, I’m hungry, I’ve got the wrong lens, I’m tired, the stars aren’t aligned, etc, and so on.
Other times, I stumble upon a great shot just round the corner from my flat. I walk past these blue shutters with their blue writing all the time, but on Saturday afternoon, there they were again, behind a nice man in a blue shirt who was happy to have his picture taken. It’s this sort of thing that restores my faith in photography, and in the universe in general.
I was in Hanoi the weekend before last for a friend’s wedding. It was a busy few days, but I found time on Sunday morning to take a slow walk down Hang Thiec, the street in the Old Quarter where household goods of tin and glass are made and sold. The resulting clanging, crashing and buzzing noises weren’t great for my post-wedding hangover, but the hazy sunshine provided great light for people pictures.
Cafe culture is alive and well in Hanoi. I like to think of these three gentlemen as earnest cafe philosophers, but they were probably talking about women and football.
My last visit north was in March, at the tail end of winter. It was cloudy and grey, both chilly and humid in a uniquely Hanoian way. A couple of months later, temperatures have reached the mid to high thirties, and jeans and scarves have been replaced by shorts and sandals. As a resident of Saigon, these seasonal changes are a welcome reminder of the passing of time, which seems to stand still in the south. Changes in the weather are less pronounced here. It’s dry or it’s wet, it’s hot or it’s outrageously hot. I suppose I was thinking a lot about the passing of time, as I spent much of the weekend in Hanoi catching up with old friends, idling the hours away in some of my favourite places. I lived in Hanoi for two and a half years, and for me, there’s something special about the place that’s hard to put into words. Although I’ve lived in Saigon for seven months now, Hanoi still feels more like home to me. Not to say that it’s an idyllic place – it’s noisy, dirty, sometimes infuriating – but it has a charm and character that Saigon lacks. This is partly nostalgia on my part, of course. My life was different in Hanoi, and I miss that time and those people as much as the place itself. But something tells me that I’ll be back, and for more than just a weekend.
I’ve rather pretentiously named this post after a nineteenth century French novel, which I haven’t read. But I like the red and the black of her shirt, and the way it almost matches the background, so ‘the Red and the Black’ it is. She runs a food stall on the edge of Hanoi’s old quarter.
I was up in Hanoi for a quick visit last weekend, jetsetter that I am, and will be posting a few more pictures soon.
A week in Hue (“hway?”) at the beginning of May provided a welcome change of pace from life in Saigon, even if there was no escape from the heat, which is pretty brutal in south and central Vietnam at this time of the year. Hue is a river city, known for its crumbling tombs and mausoleums and its distinctive cuisine. Historically, it was the ancient capital of the country and, more recently, the scene of some of the bloodiest episodes of the war. Although its past is fascinating, I was more interested in seeing the everyday life of the city now, its streets, markets, canals and people.
I spent a lot of my time in Hue looking for patterns, details, textures and colours. I’ve put all these pictures together here because I wanted to do something a little different to my usual portrait dominated posts (though there will be some more Hue portraits coming soon).
It’s been a while since I posted a picture of the week; I simply haven’t been taking many photographs lately. I haven’t been doing much of anything at all, to be honest. But I’ve just come back from a week in Hue, in central Vietnam, where I managed to get up off my arse and take some pictures. This shot was taken in Dong Ba market. More Hue pictures coming soon.
Without an H 