Weight

I’ve written before about how it often seems like all the hard work in Vietnam is done by women. No-one works harder than the women who carry these don ganh through the streets.


I’ve written before about how it often seems like all the hard work in Vietnam is done by women. No-one works harder than the women who carry these don ganh through the streets.


Late afternoon and early evening – when it’s not raining – is such a good time to take photographs in Hanoi at the moment. Walking around with the camera as the daylight fades is a hot and sweaty experience at this time of year, but a very rewarding one, as I think that the warm light from the low sun brings out the best in the city.









Late on Sunday afternoon, I came across these two gentlemen, customer and proprietor of a Hanoi street cafe. Cafes are everywhere in Hanoi, big and small. This is one of the smaller ones.


These small, yappy-type dogs, as Eddie Izzard calls them, are unaccountably popular here in Hanoi.










In these hot and humid Hanoi afternoons, sensible folk take shelter in the shade with a cold drink. Foolish people wander about taking photographs.


Six street portraits from a walk around my Hanoi neighbourhood this afternoon. Things have been slow on this blog of late, but I’m hoping that that is starting to change.






In my idle moments – and I have a few – I often ask myself about what I was doing one year ago. Posing this question again earlier this week, I thought back to the little window of time I spent in Saigon after returning to Vietnam from the UK and before leaving on my Mekong trip. At the end of April last year, I was making plans for my upcoming travels and waiting for my Chinese visa to come through. I also took a few pictures out and about in Saigon, pictures which I had forgotten about until this week.
They’re a little different to the photographs I’ve been taking in Hanoi recently – colour rather than black and white, and taken with a standard zoom rather than my 35mm lens, so the framing is a little tighter in some of these than in my more recent shots. Right now, I’m not sure which approach I prefer, but I’m glad that I found these pictures gathering digital dust in a neglected corner of my Lightroom catalog.
















After weeks of grey, drizzly weather, the sun has begun to force its way through the clouds above Hanoi this week. Not bright, blazing sunshine by any means, but a soft, hazy sunshine that’s perfect for street portraits.

Some of my pictures from Vietnam are featured in this month’s issue of Inspired Eye, along with an interview I did with Olivier Duong, one of the photographers behind the magazine. Inspired Eye focuses on street and travel photography and is available for download in PDF format; click on the image above for more detail.
It was a real pleasure to be involved in this issue. Olivier’s questions made me think about how and why I take photographs, and I’m really pleased with the selection and layout of the pictures.